Schriftatlas I, 9a
The objective is not to master the subject. Rather, it is to subject mastery to hazard, to shelter mastery from the subject of objectivity. The art is not to acquire […]
The objective is not to master the subject. Rather, it is to subject mastery to hazard, to shelter mastery from the subject of objectivity. The art is not to acquire […]
Madness is an image that resides between the absence of its object and the evidence of its past existence. Such an image mediates between the visible absence and the ‘improbable’ […]
With every passing day and year, the mounting suspicion that I have never existed. What evidence would testify to my passage across the surface of this earth, itself so irrepessibly, […]
[Water-stained, illegible] …had flooded a broad marsh on the outskirts of the city, such as it was. And on the call to “Charge!”, the hordes were duly unleashed, and so […]
It is not a question for me, at this point—and perhaps it is impossible that the question, for me, at this point, will ever be otherwise—of whether the act of […]
Harrowing pleasure–unspeakable–of the scavenged image: unmitigated freedom from the original; absolute autonomy of the copy. (I, 12a)
I am a scavenger. Yet, if I render the scavanged object present to myself by introducing it into my space (rather than making myself present to the space of the […]
EIGHTY NAMES OF SCHMIDL Ulrich Schmidl, Ulerich Schmidl, Ulderich Schmidl, Utz Schmidl, Uz Schmidl, Uldérico Schmidl, Huldericus Schmidl, Ulricus Schmidl, Ulrich Scmidl, Ulerich Scmidl, Ulderich Scmidl, Utz Scmidl, Uz Scmidl, […]